Today I had the honor of photographing more families around the Capital Region (New York). These were free five-minute photo sessions, with donations ($150!) going to The Regional Food Bank of Northeastern New York.
If you are in upstate NY (anywhere from Syracuse to Saratoga) and would like to schedule a session, please get in touch (details are below).
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Socially Distant Photo Sessions details:
These sessions are for anyone! Families, singles, graduates, pets – whatever you’d like! Dress up, dress down – wear pajamas, do whatever – have fun with it!
These sessions are still FREE. However, donations will be accepted, with 75% going to (I need to cover some basic costs like gas, tolls, etc.) The Regional Food Bank of Northeastern New York (regionalfoodbank.net), which provides services to 23 NY counties.
- social distancing will be adhered to at all times (at least 6 feet away)
- this is FREE (but donations are accepted)
- photos will be taken on your front porch/steps/driveway/etc./wherever we can socially distance
- these will be approximately 5 minutes each
- 2-3 digital photos will be sent to you via Dropbox (you don’t need to have an account to access the photos) that you may use on social media with proper credit to the photographer (IG: @JenVesp, Twitter: @JenVesp, FB: Jen Vesp Photography).
- Prints may be ordered upon request.
- The photos may be posted on my website (jenvesp.com), Twitter (@JenVesp), or Instagram (@JenVesp).
Today I had the honor of photographing families around the Capital Region (New York) as part of #TheFrontStepsProject. These were free five-minute photo sessions, with a portion of donations ($250!) going to The Food Pantries for the Capital District.
If you are in upstate NY and would like to schedule a session (a PORCHrait, if you will) over the next 1-2 weeks, please get in touch!
#TheFrontStepsProject was created by photographer Cara Soulia in Needham, Massachusetts.
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Genie Santiago's Sunflowers Series was created to provide fans with the opportunity to hear and get to know their favorite local Boston artists better. In an intimate performance setting, artists are able to share their talent, experience, and story with fans. This third Sunflowers event featured Genie Santiago, Anais Azul, Ava Sophia, and Brandie Blaze.
Sold Out Night #1 of the Summer is Forever II tour came out of the gate with the punk pop roar of LA's Cherry Glazerr performing "Had Ten Dollaz." I knew it was going to be a good night when Clementine Creevy announced "this is a song about my period!" and, by golly, I was right. Not sure how Best Coast and Wavves chose Cherry Glazerr to open this tour, but they couldn't have found a better fit. The cherry on top of their pop punk wonderland of a ten-song set was "Grilled Cheese" - ending on a perfect lo-fi note to leave the audience on their toes in anticipation of Best Coast, next up on the bill.
Best Coast, taking the stage to the thunderous cheers of the crowd at the sold out Royale, kicked off their set with the slow burn of "When I'm With You," and proceeded to dig right into the uber-popular "Crazy for You," knocking out a flawless set of about fifteen killer tunes. Bethany Cosentino is a powerhouse (on stage and off - have you read this?) and, together with the equally talented Bobb Bruno, they bring us the sweetest of California dreams; for a few songs, I even felt like I should be slow dancing underneath the stars on a beautiful California night. With the audience hanging on to Cosentino's every word and note, they crowd-surfed to gloomier songs, causing her to mention "you're unconventional - I like that." Wrapping up with the trio of "Boyfriend," "Our Deal" (my absolute favorite), and "When Will I Change," Best Coast showed us why they have so rapidly ascended to the forefront of rock and show no signs of slowing down.
Co-headliner and third band at bat, Wavves (they swap each night with Best Coast), an all-male band from San Diego, came out to a riled-up crowd, playing "Sail to the Sun," blowing us all away with their rad punk-surf sound, playing a solid set, encouraging everyone to crowd surf, and even passing out alien-shaped balloons at one point. Lead singer Nathan Williams, wearing cuffed jeans, khaki boots, and a black t-shirt blazed through hits such as "Mickey Mouse," "Nine is God," "Idiot," and "Heart Attack." In support of their latest album, V, Wavves, along with the stellar Best Coast and standouts Cherry Glazzer, brought Boston a few hours of the summer we've been yearning for since the fall came upon us.
For the first night of her tour and hot on the heels of her latest release, Blood To Bone, New Zealand’s Gin Wigmore hit Cambridge’s it-was-so-close-to-being-sold-out-that-I’m-calling-it-sold-out Sinclair, with her perpetually on-point band, scorching the stage right from the first lick of “New Rush.” Wigmore’s band is absolutely on point – the perfect backdrop to her equally fragile and ferocious lyrics – accompanying her as our tour guides on this expedition through the impeccable world of Gin. Performing a larger part of Blood to Bone’s stellar tracks, yet sprinkled with previous album nuggets “Kill of the Night,” “Hey Ho,” and “Man Like That,” Wigmore captivated – glowing and carefree, growling and purring, shimmying across the stage, joyful and proud – clearly delighted to be there.
Gin has a beguiling and ferocious stage presence – Wigmore’s unique voice and performance are bursting with love and a true passion, grateful for every moment on stage. There’s a beautiful old school tinge to her sound, bringing names like Stevie Nicks, Amy Winehouse, Etta James, and Janis Joplin to mind. However influenced, Wigmore isn’t to be limited to one genre, which is a huge part of what makes her all the more appealing. It hovers around smart and brazen soul-rock-folk, if you must have some genre frame of reference.
Gin Wigmore is captivating and magical; and Gin Wigmore’s band are the sublime magician’s assistants that complete the show (sans revealing costume, but you’re welcome for that Halloween idea, guys). Playing off of each other, bringing unparalleled energy and skills to the stage, these guys clearly enjoy every second. The five men in black – Dave Goodison and John Schreffler on guitars; Steve Padin on drums; Rocco Dellaneve on keys; Joey Secchiaroli on bass – contributing to the fiery, aural excellence, nearly rocked the doors off the hinges of The Sinclair. Tough to choose just one favorite (or even ten) of the night, the band blasted out catchy “New Rush” and “Written in the Water,” keeping the whole place on their toes. And just to solidify the unity of six beautiful souls shining on stage, they sealed this musical love letter with a kiss of perfection in the form of an a cappella version of “I Will Love You,” which brought down the house (and a few tears with it).
Selling out at least half of the ten-stop US tour thus far, with one UK gig already being venue-upgraded due to not-surprising high ticket demand, the zeal for Wigmore is undoubtedly on a swift path to a long-running fever pitch. With her two previous albums having gone platinum in New Zealand, there’s no question it’s just a matter of time before Blood to Bone joins them. The evolution of Gin has brought us here today to this performance and to this album, teeming with raw, emotional lyrics. Intense and witty; sassy and bold; delicate yet tough-as-nails; this featherweight is a vocal heavyweight and absolutely, without a doubt, played one of the best shows I’ve seen in years. There is nothing better than expecting greatness at a show and an artist destroying those expectations by delivering a truly haunting and staggeringly divine performance.
Love. That is my one word review of JOHNNYSWIM‘s Christmas show at The Sinclair.
Not much more needs to be said regarding the gorgeous husband-and-wife duo of Amanda Sudano Ramirez and Abner Ramirez; however, I shall elaborate. Radiant, inspiring, and downright flawless, on the final night of their holiday tour Sudano and Ramirez had the sold-out crowd in the palm of their hands through the last moment of the show. Steering us through their set – amidst glances at each other only the most amorous can imagine – of the most splendid combination of holiday and JOHNNYSWIM tunes – and JOHNNYSWIM holiday tunes – the two bantered and beamed at each other throughout; it was difficult to tell who was glowing more from the anticipated birth of their son. Playing their genre-crossing folk-pop, it’s nearly impossible to find any other artists to compare, despite being backed by a full band. JOHNNYSWIM touched on all of their releases, effortlessly performing songs such as “Diamonds,” “A Million Years,” “Take the World,” and my personal favorite “You and I,” perfectly harmonized while melting into each other. A band I, myself, discovered through the magic of a brief appearance on Linda Perry’s VH1 show “Make or Break” (and Perry’s mind-blowing ability to select hit-makers within five minutes of viewing them), JOHNNYSWIM exudes a presence of unparalleled positivity, dedicating their song “Take the World” to the couples in the audience; making it clear why they so frequently get asked to perform at weddings.
In case their words and presence weren’t inspiring enough, humanitarians Sudano and Ramirez discussed their affiliation with Food for the Hungry (http://fh.org/), an organization serving the poor globally, specializing in short-term emergency relief and long-term work to end world hunger. The band took a short fifteen-minute intermission allowing those in attendance to visit the merch booth and sponsor a child in need anywhere in the world; on top of the band’s existing donations to non-profit Visiting Orphans (http://www.visitingorphans.org/) of 100% of each sale of their song “Hallelujah.”
With an uncanny ability to draw in even the most eclectic of crowds, there is no doubt that uber-charismatic Sudano and Ramirez will be enchanting for generations to come – it makes those watching from afar anxious for their next act. Any adjective imaginable pales in comparison to the feeling of being in an intimate venue with this pair. While showing a genuine appreciation you don’t often see, JOHNNYSWIM were welcoming, warm, and truly dazzling, leaving the crowd to venture out into the chilly night, blissful and full of love.
Photos from the evening can be seen below:
Aimee Mann and Ted Leo have been immersed in the music scene for a huge part – if not all – of their adult lives; them coming together to form The Both is just the icing on the cake for anyone who has followed either of their careers. The Both performed at Boston’s Paradise Rock Club on Friday, April 25th to a jam-packed house. They casually took the stage and instantly eased the room’s restless anticipation of their performance. One thing I can say for this pair – not only are they perfectly harmonious, but they’re also getting better with age – in sound and looks; Leo looking disarmingly casual yet quite fetching and buff in black pants and shirt, black wristband cuff, rockstar-style and the foxy and statuesque Mann in shorts, fishnets, leather jacket, black-rimmed glasses, and Converse, each commanding their side of the stage with their six-foot tall presence.
Both Mann and Leo have had highly successful solo careers, releasing eight and nine albums, respectively – Leo as the frontman for Ted Leo and the Pharmacists for those nine. Ted Leo has a massive cult following due to his history of punk and indie rock with bands like Puzzlehead, Animal Crackers, Chisel, and Hell No. To provide a description right from the horse’s mouth, his Twitter bio reads “Journeyman/Virgo-Dog/Bodhichitta Warrior in training,” which really does sum it all up for this jack of all trades; he is also highly engaging and captivating on said account. Having never seen Leo live before, I didn’t know what to expect, but I found him to be the perfect accompaniment to Mann; both (no pun intended) effortlessly switching up lead vocals and playing riffs others only dream of.
Aimee Mann has a history of mind-blowingly well crafted songs (her lyrics are literary masterpieces) that are deeply observational, melancholy and sometimes baneful, yet deadly accurate, poignant, and fearlessly honest; she has always been unique with her sound and in her writing. It’s hard to find words to describe someone you’ve held as one of your personal heroes for nearly 20 years, as I was drawn into the web of Mann circa the release of “I’m With Stupid” in ’95 and have yet to find myself deterred. Doing things on her own terms with indie label SuperEgo Records, Mann freed herself from the ties that had previously bound her in major label hell, making her an even more successful independent artist. Can you really get more honored than having someone (Paul Thomas Anderson) write an entire screenplay (Magnolia) due to inspiration from four lines (“Now that I’ve met you / Would you object to / Never seeing / Each other again”) in one of your songs (“Deathly”)? Then again, there is the Best Song Academy Award and Grammy nomination for “Save Me” (see Mann’s Twitter bio revealing the results), being featured on Magnolia’s 1999 soundtrack, and having another song (“Wise Up) be an integral part of the film’s awe-inspiring sequence with each of the downtrodden characters singing a portion of the lyrics. Some latecomers may also recognize Mann from the “housekeeper” episode (entitled “Aimee”) of Portlandia’s first season.
The duo, in their charming and witty repartee – Mann with her deadpan dialogue and Leo with his lovable, mellow punk rock attitude – shared four adages of relationship advice found scrawled backstage at their previous night’s show in Northampton, one of them being, “Lock it down!” Throughout the night, the two artists played their catchy single “Milwaukee,” in addition to a mix of their solo songs and a choice few from their Both album (“You Can’t Help Me Now” and “Bedtime Stories”). They ended the night with a stellar rendition of Mann’s 1985 hit song “Voices Carry” with her second band, the new wave ‘Til Tuesday. The Both are a perfect combination of two historically atypical artists; letting someone else crash their party of one may have required some tweaking of their styles, but has resulted in a natural and seamless duo that may just result in being your benchmark for musical precision.
Brooklyn-based trio We Are Scientists hit up Boston last weekend, playing to a nearly sold out Brighton Music Hall. Scotland natives Paws opened the show with a lively, high-spirited indie-punk-rock set, setting the euphoric mood off in motion towards a stellar night of We Are Scientists. And let me be blunt here – the only way you could get me to dislike these guys is if they stole my puppy.
Keith Murray and Chris Cain strode on stage to thunderous cheers from a wall-to-wall crowd, digging right into the opening chords of “Return the Favor” from their latest album, “TV en Francais.” Performing their cleverly-written songs, the affable duo pulled a prime selection from each of their previous albums; between them treating us to their just as desirable and well known quick-witted tongue-in-cheek banter. With their danceable and unique indie-rock, New York City dwelling We Are Scientists have been touring on and off (mostly on) since 2005 when they released “With Love and Squalor” – and I cannot say enough good things about them. Not one of their albums has disappointed and, after seeing them live three times now, I can truly say an accurate statement is they never have an “off” day; every note is hit, every show is one for the books, and both Murray and Cain are all heart – and unquestionably likable guys to boot. Each song is full of unwavering honesty and heavy sentiments, yet strikingly upbeat. After working the crowd with favorites such as “After Hours,” “Nobody Move, Nobody Get Hurt” and “Nice Guys,” they came back for an encore with “Impatience,” then proceeded to their merch table to meet with each and every fan looking to do so. They may have been dishing out advice , as they do regularly in the “Dear W.A.S.” section of their website; on top of recently starting their own Ad Solutions Network consisting of an “adaptable, highly-rigid set of solutions developed over many years of industry experience and experimentation.” The song is fact – rules really don’t stop them.